第四章 困惑（1 / 2）
一开始,我只想做演员
油炸大金
1081 字
2022-04-25
“还有一点，就是对现在的流行音乐不太满意，很多歌王歌后，就感觉很土，每首好像都一个调，编曲不走心，歌词也得也那样！”
“你举个例子？”
举例子？真以为大林子少不经事？
他果断转移话题：“我是觉得每一首编曲、歌词、vocal的声线都是围绕着整个音乐的气质去融合，而不过分追求某一句高音的音准、某一个切点气息的拖长，又或是反复强调副歌某一两个字眼的表达。”
“你是在说孙南？”
“这是你说的，不是我说的！”顿了顿，沈林又说了一句：“我觉得很这个圈子很多人1990年以后，就没有接受过新的音乐，唱的还是上世纪八十年代那一套东西！”
“那你觉得音乐应该什么样？”
“不能过于流俗，我也说不好土跟洋气的区别，就你看王洛宾的歌土，但是特别洋气。某些歌手的歌看着特洋气，但一听就觉得特土！”
这两年流行什么?
摇滚、朋克！
地下婴儿、花儿、无聊军队、新裤子，一水朋克；
汪峰、郑钧、许巍乃至清醒乐队，一水的摇滚；
这帮人玩的东西太老套…
“现在音乐环境不好，这边的唱片刚发行，那边百度mp3已经可以免费试听/下载；街边遍地的音像店里也都是盗版CD，价格只有正版的五六分之一。卖唱片早已变得不赚钱，用CD来做宣发，带动歌手演出的商业模式反而成了主流。当然，这种大前提要求你的歌要尽可能的大众化和平民化…”
沈林很果断点头：“在这方面，我做的还不错。”
“我感觉你不喜欢摇滚？”
“对，摇滚本来多多少少都是有反主流的特质的，但我这个人特主流，我对我们的国家、民族很看好…”
“而且，我始终觉得国内的摇滚乐也没多么有思想，思想这个东西还是更多的体现在学术著作与文学作品中。电影、话剧，也是比音乐更好的思想的载体。”
……
音乐方面聊完了，王晓峰看了看自己的题板，问道：“你写的话剧拿了五个一工程奖？”
“嗯，确实拿奖了，单申报部门是北京人艺…”
“能谈谈它嘛？”
“当然！”沈林端起杯子喝了一口水：“这是一段真实历史改编，安史之乱后，西域只剩龟兹和西州两座城池，与大唐隔绝已经四十余年，当初守城的少年已变成白发苍苍的老人，但不变的是守护大唐的信念…”
大林子把这段故事说完，顺便补充一句：“我挺想找个导演把这个片子拍出来，主演我都想好了，你觉得成龍大哥怎么样？”
“如果我有机会见到成龍，一定把这个故事告诉他！”
“拜托你了…”
“你喜欢什么类型的电影？”
“有趣，不沉闷…我不喜欢贾章柯的电影，我觉得那帮第六代在拍摄手法方面似乎都有一个统一的模式，那就是喜欢长镜头，他们把自己当做成一个旁观者，通过长镜头冷漠地审视着这个社会。我不是说这种审视有问题，但我觉得这类电影更像纪录片，不好看！”
“你投资的《盲井》也是这类电影啊。”
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